I just completed a number of site updates and new features for the No Place Like Home project that I've been working on for the past two years.
A lot of the "coincidences" Julie Beck imagines as meaningful in her recent Atlantic article about her quest to meet the "wildly different" other women with her name, just seem part of being a middle-class, college-educated white person in the US with a common moniker. As a "Kristin Miller," I have some basis for comparison.
The 1973 show Women Choose Women was the first curated by and featuring exclusively women artists. The conversation between Mimi Poser, the Guggenheim's WYNC radio host, museum director Mario Amaya, and curator/gallerist Sylvia Sleigh is a particularly relevant time capsule for the current state of politics and art.
A new piece I wrote for the Guggenheim's Checklist blog on typography, layout, language, and storytelling in the design for their new exhibition Tales of Our Time.
Given the overt racism and misogyny, the sieg heils, the "are Jews people," anti-immigrant and anti-LGBTQ rhetoric in the media, and most recently, the trumpet for flag-burning protestors to be stripped of their rights, I can't keep my mind away from July 19.
15 years seems an impossibility—for the New York of that time, and the New York before, to be so far in the rearview. It's especially strange when my overwhelming feeling for much of 9/11 was that none of us might survive the day, or the weeks and months to follow.
Maps have power. They can make the illegible legible and the invisible visible. They can make the obvious even more obvious and the impossible seem possible. When Stamen Design mapped the routes of the private buses that ferry techies between their homes in San Francisco and their jobs in Silicon Valley for the 2012 Zero1 Biennial, the aesthetic choice to render the map as a transit-system schematic made an open secret within San Francisco obvious to the world. The city is becoming a suburb of the Silicon Valley suburbs.
I have a new piece out today in Boom: A Journal of California's new issue "What's the Matter with San Francisco." In conjunction with my ongoing Public/Transit project, I've written a story in three visualizations about the transit system the Bay could have had, the one we got, and how private companies are filling the … Continue reading New Article in Boom’s Summer Issue
My essay that appeared in Boom: A Journal of California's winter 13-14 issue is on Slate.com today as "California is the Future." The original text and photos have been enhanced with a map plotting the locations of future California, by my UCSC Digital Art & New Media colleague Wayne Marci. Check it out!
There's no better visual shorthand for HK's hive-like urbanism than crowded streets beneath a glowing canopy of signs sprouting from nearly every available surface. The multicolored glare and audible electric sizzle of so many tubes blinking on and off is a deeply encoded childhood memory.